Song: Ato Horeiso
Album: “Al Hehorim” — Isaac Honig
Composer: Pinky Weber Year: 2013
“Ben Bag Bag” “Racheim” “Lemaaloh” “Tefillah Le’ani ” “Bezi Hashoh ” “Mi Kashem”…The list goes on and on ranging from authentically chassidish to up-to-date gentle niggunim to dance-floor hits but don’t ask Pinky Weber to choose his favorite. “It’s like a father with his children — they’re all favorites.”
Based in Williamsburg Weber has been one of Jewish music’s most prolific composers over the past twenty-five years. As a composer he is wide-ranging and versatile saying that his music is inspired both by Moshe Goldman and by Yossi Green. While his tune for “Lechte’le” (Weber’s heartrending song about a broken Holocaust survivor who would light an extra Shabbos candle for her lost son until she sees the image of an old man who tells her not to light a candle for someone who is still alive…) is sung by Abish Brodt on his Ribono Shel Olam album for the passage of Mimkomcha in the Shabbos morning Kedushah and the niggun is a staple at the Friday night tischen in Lelov and Tosh “Bentsch Bentsch Noch a Yid” (from Avraham Fried’s newest Yiddish album Ah Mechaye!) is a horah song that’s become popular at more modern weddings. Even his more chassidish-style numbers have broad appeal.
Weber has composed songs for MBD Fried and Shwekey for Dachs Williger Yeedle and Michoel Shnitzler and more recently for Beri Weber and Yoeli Greenfeld. “I work as a badchan so it’s busy though and often hard to find time to compose.” Mostly his new music is the fruit of sessions during Sefirah or in the summer weeks when the wedding scene is quiet.
“Singers call me for songs and we sit together either at my piano or in the studio” Weber says. “I compose and they give their input — maybe they want to change the words. Then we record and they usually listen to it for a day or two sleep on it and see if they still like it. Sometimes they need to take a break before hearing it again. If they don’t like it I keep it—I can always show it to someone else. There are a lot of famous songs though which I had to persuade singers to take. You can’t know if a song will make the cut but sometimes I have a good feeling. There are also plenty of songs which I think were potential hits but never made it big in the market. They have to come onto the scene in the right time and the right place.”
