Hallel. It’s in the chazzan’s hands to navigate that crossroads of tefillah and music
I like to pick a theme for Hallel and stick to it throughout the tefillah. One such example is using different “Ani Maamin” tunes. There are faster ones for the upbeat sections of Hallel and slower ones for the pleading supplications. Another example: tunes from Shabbos zemiros or “Tov Lehodos” tunes — by now people know my style and are looking out to try and figure out what theme I’ve chosen.
I use Rebbe Levi Yitzchak of Berdichev’s niggun during “Ana Hashem Hoshia Na”.
While crying out this niggun, I find myself understanding what I’m truly asking for when I ask for yeshuah.
I enjoy singing Reb Shlomo Carlebach’s “Ana Hashem” in the middle of the Mah Ashiv paragraph. I find it particularly powerful to sing a melody with the words for which it was originally written.
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