Some of Lipa's new material is back to the good old Lipa, yet much is layered with a depth of maturity and struggle
—from the song “Hold on Tight,” 2024
MYcousin’s wedding was a packed affair, yet although there was barely an inch to move or even inhale too much air, that didn’t stop the mass jumble of dancers in the middle of the room. Some were even jumping on chairs, pumping their friends below with their hands as if they were stirring a large, bubbling pot of soup. And it’s no wonder the crowd was so alive: Up on the stage, igniting the fire with song after song, was Lipa Schmeltzer.
I hadn’t seen Lipa perform in quite a while, and was eager to watch him live that night. Anyone who follows Jewish music knows the outline of Lipa’s story: With his gifted voice, talent for composition and signature showmanship, he had lightning success within the Jewish music world, churning out over a dozen albums in as many years, electrifying the crowd at whatever venue he performed with his immutable energy and relatable lyrics. And then, he dropped out of the public eye, clearly going through some sort of personal searching and life transition.
A few years ago, he reemerged, releasing several hit albums and singles, and once again taking his place on the list of most sought-after performers. The new material was both a return to some of the good old Lipa, yet layered with the depth and musical genius of an ultra-talented composer who had gone through his own journey.
And now, watching Lipa on stage, it was obvious that he was genuinely enjoying every minute, never singing a chorus the same way twice, constantly peppering the songs with improvised lyrics, and sprinting around the stage with the energy of someone 20 years younger.
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